Valgeir Sigurðsson & Sigurður Guðjónsson - PERPETUAL MOTION

Valgeir Sigurðsson & Sigurður Guðjónsson - PERPETUAL MOTION

A collaborative work by label founder Valgeir Sigurðsson and Reykjavík based contemporary artist Sigurður Guðjónsson: PERPETUAL MOTION is available on Audio Cassette and Digital Download.

This release is available exclusively via Bandcamp*.

PERPETUAL MOTION is the soundtrack to Sigurður Guðjónsson's multisensory sculpture created for the 59 International Art Exhibition – La Biennale di Venezia, and presented at the Icelandic Pavilion in Arsenale, Venice.

The interplay of sound and vision features throughout Guðjónsson’s oeuvre. The artist uses intricate soundscapes as the foundation of his works, drawing out the acoustic properties of his visual investigations to create a stronger link to the subject matter. Perpetual Motion features a visceral, 45 minute long soundtrack delivered in ‘vertical stereo’ which was co-created by the artist himself and Valgeir Sigurðsson.



The artwork offers a poetic exploration of materiality at the edge of the boundaries of perception, powerfully combining moving images and sound to activate the space and create an entrancing, meditative experience for visitors.

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Sigurður Guðjónsson is best known for his striking time-based media works that often focus on man-made machinery and technical relics, investigating their enigmatic, hidden elements just beyond our field of vision. The artist experiments with camera lenses, perspective, light, and motion, amplifying and observing these forms and the transformations that take place as they interact with their environment. Perpetual Motion is staged as a split screen installation, with a six-metre-high vertical screen connected to a large-scale floor projection that occupies most of the exhibition space. The screens depict the constant drift of metal dust, amplified and magnified through the artist’s camera lens. Visitors can immerse themselves in the movement of the abstract material, as it warps and distorts, suggesting new shapes and imagery such as the surface of an outermost planet. Perpetual Motion’s visceral soundtrack responds to the granulated texture of the matter in the moving images using stacked electronic sounds that have been manipulated via granular synthesis. The soundscape fills the Pavilion and envelops visitors as they enter the artwork, forging a deeper connection with the frequencies of the metal dust as it moves and pulsates across the screens’ surface.